On Saturday, 5 December 2026, four electronic sets activate the former Lahore Flying Club hangar. Reclaimed packaging, woven plastic sacks and air-filled forms give the show its architecture.
GODAM is a site-specific electronic music programme by Lahore Community Radio. Four sets unfold inside a former aviation hangar, where the space changes with the music.
Discarded packaging, woven industrial sacks and air-filled forms become part of the set. Fans and a central mechanism move the plastic. Light passes through layers of film, bringing the silhouettes of performers and the crowd into view.
The materials come from Lahore’s everyday life. The street campaign follows them through markets and shops before the show, and the set puts them back to use at the scale of the hangar.
04 / THE VENUECBD PUNJAB · FORMER WALTON AIRPORT
Former Lahore Flying Club hangar
Inside the hangar.
The long roof spans and open floor give the set room for suspended translucent walls, moving forms and light. Four DJ sets bring the space to life over the course of the night.
Four electronic sets open with JJ and close with SGAMO. Each artist brings a different approach to the room, with light and movement changing across the night.
01 / OPENING SET · 60 MIN
JJ
DJ & curator
JJ is a founding member and lead curator of Dosti, the Lahore cultural collective behind Dosti Mubarak and Dosti × Ahadadream. He has shaped the collective’s music programming and opens GODAM’s Saturday session.
Zoya’s selections move through jungle, bass and UK garage. Her sets bring a creative, rhythm-led approach to club music, and she appeared on the Dosti × Ahadadream lineup in Lahore.
Lahore-based DJ and producer MALIK. co-founded Miracle Mangal. His recent six-track EP IRIDESCENCE, released via Silent Roar, moves between bass, jungle, UK garage and hardgroove. He has performed for Boiler Room Pakistan and played Dosti × Ahadadream in Lahore.
Raised in Bari and shaped by Milan’s underground, SGAMO mixes bass music, baile funk and club sounds from across the world. His platform wegoing.sound has brought Rinse FM and Keep Hush programmes to audiences in Italy and Asia.
Plan / Threads carry motion from the central mechanism to the inflatables along the walls.ILLUSTRATIVE · NOT TO SCALE
Existing boundary
The purple line in the sketch.
Taped event extent
The red line marks the production footprint.
Hollow plastic walls
The blue lines mark walls about 2 ft deep, suspended from a steel-wire grid. Inflated tubes move within them.
Kinetic sculpture
Threads carry mechanical movement from the centre to inflatables along the walls.
Industrial fans
The fans are mounted in vertical banks behind the booth.
Airflow
Curved paths show airflow from the fan banks towards the inflatables.
Flasher rails
Two vertical lighting strips sit between the three fan banks.
Performance platform
The DJ booth and speakers sit in front of the fan banks.
Corner fixtures
Angled lights from the corners cut across the installation.
Perimeter wash
Fixtures along the sides wash the walls with light.
Translucent layers
Front and rear faces catch light at different depths.
Moving shadows
Shadows shift as light crosses the film, inflatables and bodies.
Viewing position
Looking in from the red taped event boundary.
Translucent side wall
The outer skin reads as a continuous layered surface from the side.
Stage and fan frame
The structure and platform sit behind the film.
Entrance bay
A smaller inflatable sits near the entry, separate from the main enclosure.
Stage row
Illustrative coverage from the fixture row behind the booth.
Side fixtures
Perimeter units throw light across the translucent walls.
Angled PARs
Entry fixtures direct light inwards across the two bays.
Fixture isolation
Use the selector to see each group independently.
Front elevation
Fan banks and stage levels.
Side section
Platform depth and frame.
Plan view
Enclosure, walls and entry bays.
Lighting plan
Fixture positions and directional coverage.
07 / SET DESIGNMATERIAL & LIGHT REFERENCES
From packaging to the dancefloor
Building the dancefloor.
Discarded packaging, woven plastic sacks and air-filled forms shape the room. Programmed light passes through layers of film, revealing the movement of the set and the people inside it.
01 / DISCARDED PACKAGING / MATERIAL TEXTURE02 / EVERYDAY FILM / TRANSLUCENCY03 / INFLATED MODULES / REPETITION04 / SUSPENDED FILM / LAYERED WALLS05 / AIR-FILLED FORMS / MOVEMENT OVERHEAD06 / TRANSPARENT SHEETS / BODIES IN LIGHT
MATERIAL REUSE
Keep the material in use
LCR plans to weigh the recovered plastic used in the set and record where it goes after dismantling.
IN CIRCULATION
From the street to the hangar
Short films follow familiar packaging through Lahore’s streets and markets before the show.
08 / AUDIENCE & DOCUMENTATIONGODAM · 05 DECEMBER 2026
The night and its record
In the room. Beyond the room.
SATURDAY ATTENDANCE TARGET
250–300
A live audience drawn from Lahore’s music, art and design communities, with a curated guest list alongside general admission.
PRESENTER & COMMUNITY PARTNER
LCR × Dosti
Lahore Community Radio produces live programmes and site-specific recordings. Dosti joins as community partner.
AFTER THE HANGAR
Record the night
Multi-camera coverage, selected set recordings, stills and an afterfilm give the programme a life beyond the room.
Guest and partner listening kit
FIELD RECORDINGS CASSETTE REFERENCE
A proposed woven bori bag with a cassette of Lahore field recordings, a portable player and a printed invitation for selected guests.
MERCH MATERIAL REFERENCE / WOVEN BORI
Proposed GODAM merch. A woven-bori carry bag that can be worn over one shoulder or carried as a tote, using the same material language as the set.
09 / CAMPAIGN & CONTENTBEFORE · DURING · AFTER
From the street to the recording
Before and after the hangar.
A street campaign introduces the materials before show night. Recordings and an afterfilm carry the programme beyond the hangar.
VISUAL REFERENCE / PLASTIC IN DAILY USE
01 / PRE-SHOW
In circulation.
Short films follow everyday packaging through Lahore’s streets and markets. Samosa chutney bags, milk bags, bread bags and flour sacks connect those everyday exchanges to the build. Selected campaign assets can carry agreed partner credit.
02 / SHOW NIGHT
Record the sets.
Multi-camera coverage and dedicated audio recording capture the four sets, lighting cues, moving materials and the room. Photography documents artists, guests and the set.
03 / POST-SHOW
Release and report.
LCR plans an afterfilm, selected set recordings, stills and short social edits. The partner recap covers attendance, published content performance and delivered placements where figures are available.
10 / PARTNERSHIPPROPOSED INVESTMENT & BENEFITS
Saturday, 5 December
Partner with GODAM.
Partner funding supports artist delivery, sound and lighting, set fabrication and the recording of the show. Credits run across agreed campaign, venue and release materials.
PRESENTING PARTNER · ONE SLOT
PKR 2M
Lead presenting partnership for the full Saturday programme.
Pre-show campaign
Lead acknowledgement on agreed announcement and programme assets, including selected street campaign films and build coverage.
At the hangar
Lead partner credit on agreed venue signage and show materials, with priority guest allocation and proposed listening kits for selected guests.
Recording and release
Lead credit in the afterfilm and agreed set-recording releases, stills and social edits. Selected assets are available for partner use by agreement.
Partner reporting
A post-show recap of attendance, delivered placements and available content performance.
SUPPORTING PARTNER · TWO SLOTS
PKR 0.5M
Per slot. Supporting partnership for the Saturday programme.
Pre-show campaign
Supporting acknowledgement on selected announcement and campaign assets.
At the hangar
Supporting credit on agreed venue or programme materials and a guest allocation.
Recording and release
Supporting credit on selected recap assets and a summary of delivered placements.
LCR will agree exact placements, guest allocations and asset usage with each partner before production.